Music theory books

Hi all,
What a fun journey learning harmonica has been. These last four months has expanded my enjoyment of music. Not just the blues but also JS Bach,rock and country!!
The music theory section of the B to B course has required many repeats, but now on the 4th go around it is sinking into my brain and I’m really digging it.
I want to delve just a wee bit deeper into music theory and thought a book might be in order. Luke’s explanation was great, but sometimes someone else with a different view point can expand understanding.
I’m looking at two books (and open to other suggestions):

Music Theory: From Beginner to Expert - The Ultimate Step-By-Step Guide to Understanding and Learning Music Theory Effortlessly: 1 (Essential Learning Tools for Musicians) which is highly rated on Amazon and Music Theory for Dummies. The Dummies series is a bit uneven with some being excellent and some not so helpful. Anyone with experience with it please give some feedback. I’m leaning towards the 1st book.

Suggestions??
Cheers
James
Ayr Scotland

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I guess I can answer my own question now.
I went back to the Amazon book and found it is a Kindle Unlimited listing, which I have!!! So I was able to start reading for free, and I can say it’s a 5 star book and exactly what I wanted and need for a next step up. His approach is similar to Luke’s, slow and methodical and since it’s a book the author is able to expand material with examples and diagrams which help.
For 6.5 £ UK or about $10 US it’s a steal. He also has a book two which covers musical notation and sight reading…
Cheers

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I applaud you @expat48 yeah I’ve ready many music theory books over the years and they’ve all been helpful in filling in the gaps.

Since you’re going deep into all of this, you might also really enjoy the EarMaster software I recommended in the middle of this post:

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U Tube has several people explaining theory. I am one of those people that has learned something about it but do not feel you have to get to the point you can teach a class. Understanding the various positions and which one you prefer for a song is a must but two fantastic players told me not to get caught up on understanding theory in great detail. I play for one reason, to have a good time. I want to be a good harp player and practice a couple of hours a day because I like it. I never played any musical instrument and always regretted it and the harmonica is just what I like. No plans to be in a band, just sit out at night one my deck and play till its bedtime.

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My thoughts on theory resources;

  • You’ll get the most out of theory if you also learn to read music. These are two separate kinds of things, but being able to play from a staff will massively increase your ability to understand music theory.
  • Eat the low hanging fruit first. This is things like: scales, scale degrees, arpeggios, chords & chord tones, ear training & sight singing, key signatures etc. Basic knowledge of music here. One year of daily effort and you will understand it; of course mastery of playing these isn’t something that is ever achieved - you simply keep practicing fundamentals and never stop improving.
  • An area that theory texts won’t usually dive into is microtonality. But that is a huge part of the harmonica, including intonating notes (aka making them in tune). I’ve not looked for a good resource. I’m sure one is out there. Great questions to ask yourself: when can I play a note sharp or flat and have it sound right? How will I intonate notes differently depending on what is happening in the music? When I play in 5th position, why are my root notes flat, and what can I do about it? Etc.
  • Next level up is learning to write music so that others can play it, e.g., writing a lead sheet.
  • Learning harmony and voce leading is something you can do in a community college theory course or from Musictheory.net.
  • Lest we think of music theory as an exclusively technical domain, some learning about aesthetics is important. This shows you things like "when should my solo reach its climax? How do I make it cool if I exclude having a climax? How to set a vibe with my playing?
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Hello Expat! Greetings from London.

One of the best ways to learn to read music - and you may scoff - but it works - is to buy a particular secondhand recorder book:

The School Recorder Book 1 - by Priestley and Fowler. You can pick them up on eBay for about £3.50 with free postage!

If you are still with me - don’t go! Hear me out please!

The School Recorder Book 1 takes you through a progressive learning curve very very quickly - you’d be amazed.

So if your reaction at this point is “I don’t want to learn the “#£_”–:‘’ recorder Charlie!” Then you’ve not yet fully understood - because I’ve not fully explained!

I just want you to keep reading me until you understand fully…

If you work through the aforementioned book - all you have to do is, for example, write in the appropriate hole of your harp/harmonica - and play each page.

As you learn to match each hole to the indicated note - you then play the simple tunes which feature that note - and you end up reading music! And playing quite a large selection of tunes - even off by heart!

Reading music is just a ‘code’ - many people are in awe of people who can read music. But it’s really really a doddle.

As you build up your sight-reading from each page - and muscle memory, by the time you get to the last page you’ll have an amazing foundation of sight reading and theory and easily remembered tunes - vicariously learned and almost without realising it.

Whilst I’m a good sight-reading musician, I have to learn a piece of music off by heart before I can make it ‘mine’. And my head is full of hundreds of tunes just from building up this strategy.

It saved me during my early music exams - because it contains a lovely tune called ‘Old King Cole’. As part of my Music GCE we had to harmonise an eight-bar tune. In harmonizing you have to apply different rules depending on whether it’s a major or minor key. (Apologies if you already know this.) The examiners chose it as it was in A minor - the relative minor of C major - both without any key signature. I immediately recognised it as 'my favourite recorder tune and harmonised it in the minor key because I had played it so often in P&F! On emerging from the exam I asked colleagues if they realised it was in a minor key. Not one of them had. I was the only pupil who passed Music GCE in my year!

So how do I know this works? Because after I had used my version of the book at nine years old (self taught) for the recorder - I went on to learn the fiddle. And again you just mark in the finger position from the fiddle fingerboard on each page and play those familiar tunes again!

I then went on to play the ‘D’ tin whistle - marking it again with the fingerings for it.

And then the D/G Melodeon…(At 40!)

And then the Alto Sax…which allows you to play the Tenor sax of course! (At 50!)

Your Priestley & Fowler Book 1 gathers quite a few extraneous notes on every page - but it’s a database of knowledge for each instrument - for life!

Because this method builds on stuff you’ve already learnt with other instruments, it really does fast-track you to playing a great number of instruments.

I have yet to open my new Yamaha Clarinet (I’m now 72!) - but when the time comes - I will be initially working through Priestley & Fowler!

It really does take you speedily to a quite competent level of musicianship and musicality to provide a foundation for much higher things.

I’ve always purchased second-hand copies of this simple book and given them away to prospective musicians - because you don’t need a tutor, just follow the book!

I’d be honoured to send you a copy with my compliments if you like - as I’ve done for many others!

And it changes into a ‘record’ of your musical journey - with lots of different fingerings jotted around each page.

I know several friends who are making progress with the books I’ve handed out.

Good luck! I hope you read this far - but I understand if you didn’t!

But just get a copy and try it! At £3:50 you’ve not much to lose! (I purchased mine mainly years ago for 2 quid!) - and you can plaster it with all your different instruments! That’s fun in itself!