When starting my harp adventure I got a couple of harps but they just did not plate well out f the box. Air leaks was the primary cause and hardest to learn how best to deal with. I knew nothing about a harp.
I thought they would be ready out of the box. Tuning marks showed and the parts seemed to fit correctly. After watching videos and getting help from the players on this forum ( thanks ) I determined that sometimes its usually a reed plate that needed to be straightened or a comb that should be replaced. I now have straight plastic combs and can correct the plate issue. These small but critical aspects are often not apparent to the eye, especially a plate that needs help. I have a crossover c that played fairly well but not to the point I had confidence in it. I recently checked the plates and one had a slight bow. Using my claws and a straight surface we are friends now.
Having the correct tool kit is essential. A flat surface and some 1,600 sand paper will show what part of the plate does not seat. After a few VERY light rotations in both directions you can easily see what part of a plate needs attention. When I started playing I would take the face plates off to gap a reed and play the harp w/o face plates and it sounded fine. Sometimes the face plate ends are not at 90*. I will say I never got one that had a reed that was not able to move through the slot but had a couple of reeds that did not go through the plate as they should. Another air leak issue. After the plates and comb are straight and the reeds set things go well, except for the mistakes I make. I quickly realized a new harp that needs no help is very much the exception. like cars they are assembly line products.
Frankly I wish Hohner and other manufactures would offer a well done customized harp so very little to no time was needed to correct defeats and they played really well out of the box. They could do it and charge a higher price I would be glad to pay but the harp should play as good as it should and no time was wasted on correcting defects. I love playing the harp but working on one can be frustrating. I doubt they will as the standard out of the box harps would cause reputation issues. I would imagine few player expect a harp that did not need help out of the box.
I have been too chicken to open mine. I did notice on one that one of the holes was sort of stuck and I was able to blow it out. For me the most frustrating thing is when I am trying a new technique, it changes my embouchure and I get spit or something in there that jams one of the holes. I am not ready to stop playing but it just wonāt go. That really kills the vibe.
Everyone makes mistakes, unless they never play. Its the best teacher. I am trying to bend notes but cannot get it down. The tone drops but the tuner says the note is not changing. As far as spit I lean back in a chair and gravity solves this problem. I live in a very dry environment and dry mouth is my biggest enemy. Its almost impossible to slid the harp to the next note. A dry harp and without using lubricant, which will get inside of the harp, is a real challenge to slid with ease.
If you have a wooden comb I would strongly suggest you replace it with a plastic one. This will allow you to wash your harmonica under warm water and play it soon after. Wood combs deteriorate and can cause air leaks, which I think is one of the biggest enemy of harp players. I looked my first wooden comb over and saw saw marks caused during manufacture. I sanded them out but the inside was not sealed and the comb under constant attach from the saliva. also washing it under warm water is not an option. I know well the feeling and frustration you are experiencing. Some days just suck, which you could say about anything you are learning. I just enjoy making noise and the occasional clean note and a the occasional melody. I think to be good it takes a tremendous amount of practice and over time things seem to fall in place. Sorta like working on a 500 piece puzzle, which I last a minute or two trying. If your experience is anything like mine, having a good harp tech give your harp a going over. Mass produced harps need some adjusting as they never have of never will be exactly right out of the box. Your reed plates may not be flat and need straightening. Donāt give up. I never crossed the finish line without mistakes, frustration and thoughts of picking up bowling. From the start I focused on single notes. I have no regrets even though I punish myself on bad, mistake filled days. Nothing ever came easy for me except sleeping late and baseball. All else was a fist fight. Such is life, just enjoy it when you feel up to playing, play.
All mine are plastic, mostly oscars and a couple conjurers which are not bad. I am still chicken to unscrew the harmonica but I have no intention to stop playing. I love the portability of this thing. Being able to take the harmonica makes going to things my wife wants me to do much more tolerable. If I get bored, I just start to play. Work on memorizing a song, bending, etc. Never seems to get old.
Frustrating? If weāre only talking about harps? Any that donāt play perfectly out of the box.
I bought two Lee Oscars about ten years apart. Both had reeds that buzzed. Iād heard great things about their service. Not even a response to say ātoo badā.
Bought a Suzuki chromatic. For the price I expected no buzz from reeds or wind savers. I was at a trade show a few months later and brought it to a Suzuki technician who was there from Japan. Three tries and over an hour of work and it sounded just like I expected when I took it out of the box. Ten years later, itās still fine.
I wonāt discuss Hohner because thereās not enough time. I just expect harps to be ready for a gig. When theyāre not, itās frustrating.
If you want a brutally honest answer, Iād say what frustrates me the most as a harmonica player is dealing with very old men on Facebook. Specifically those who claim to play but donāt and those who play exclusively Chicago Blues with only vintage Marine Bands, 100% tongue blocked, through vintage amps and mics. I swear I offend them every time I say something that doesnāt align with their views. Every time I say I hate wooden combs, every time I say that the Golden Melody is good for blues, every time I say that tongue blocking is very limiting, every time I say anything, they always show up and say āyouāre wrongā. Itās like people who arenāt men are not allowed to have an opinion on anything.
Amen to that, itās not like they are that cheap are they. Now that East Top and a few others are on the scene Iāve noticed in the UK the prices on SP 20ās has come down a couple of quid. Letās hope they improve their product and some competition starts. Hopefully this will lead to an all around improvement in manufacturing and customer service
Actually you are right, tongue blocking is great if you want a specific tone ie Chicago grit. But for speed accuracy etc itās not 100% and Iām sure other harp players will agree with me on here that there is no right or wrong way just your way. And Both Sugar Blue and Paul Butterfield were pursers they play ( or in Butters case played unfortunately no longer with us) the blues I suppose these people think they are better than them. Advice from an old man ( though I donāt feel old) keep doing what your doing take no notice if them. The best advice I ever got when I was 14 and a punk rocker, I was asked by Joe Strummer if the Clash what I wanted to do when I left school I said āI wanna be like youā
To which he replied no you donāt want to be like me you want to be like you." And I always have been me ever sinceš
The thing Frustrates me the most is not being able to find musicians who just want to make a lot of noise and feed their egos. I want to play West Coast and Chicago blues. But as Iāve said before I live in the capital of Hard Rock and metal. And my days of sticking my tongue out, stuffing my pants with socks and making devil horns while poking my tongue out have well and truly gone.
People either get very nice or old and grumpy as they age. Let them wallow in their own misery. Donāt waste time reading their bs. Time lost cannot be replaced with all the money in the world.
As far as what frustrates me the most is my lips drag as I slid the harp across my mouth. I live in a very dry climate and I cannot get any lube that will hold up to the low humidity and not clog reeds. When the harp will easily slid to the next note it is much easier and enjoyable to play. Things like Chapstick and other lubs seem to eventually clog reeds and turn more viscous. When I have the correct humidity my play is much better. I have made friends with the 8 draw eight, which significantly improved my play and had been my dreaded note. Someone made the analogy to blow or draw as if you were trying to blow out a small candle and it helps. Setting the high end of the harp with as small a gap I can easily play soft and not freeze up when a bit more force is used really helped as well.
Andy I do not know where you live but in the U.S. you have free speech as well as freedom to ignore, which is I feel the best way to deal with the know it all crowd. I never signed up for Facebook. If I have not seen or talked to someone in 25 years or more there is a reason. I would prefer to play my harp than read or listen to these old geezers.
I donāt do Facebook or any social media for the same reasons and my wife was stalked twice once for two years before I knew her and then again when she met met. I quickly put a stop to it. Yes we have Free speech here in the UK too. But some people exercise it without first co-ordinating brain before mouth.
Now I know from where the US Americans got this unfortunate trait. For a long time I thought it was something unique to them, but I guess it came over with the colonists!
